Born in Québec, Canada, Linda Bouchard has been an active composer, orchestrator, conductor, and producer for over thirty-five years.
Winner of both Composer of the Year from the Conseil Québecois de la Culture and the Joseph S. Stauffer Prize from the Canada Council for the Arts in 1999, Bouchard received the Fleck Fellowship from The Banff Centre in fall 2015. Her honors in the United States include first prizes at the Princeton Composition Contest, the Indiana State Competition, and the National Association of Composers USA Contest and a Fromm Music Foundation Award from Harvard University.
Bouchard’s works are heard regularly by such ensemble as the Montréal Symphony Orchestra, Toronto Symphony Orchestra, Royal Concertgebouw Orchestra, Vancouver Symphony Orchestra, the Winnipeg Symphony, the Prince Edouard Island Symphony Orchestra, the Orchestre Métropolitain, the National Arts Centre Orchestra, Oregon Bach Festival Orchestra, Bang on a Can, New York New Music Ensemble, Absolute Music Group, Hard Rubber Orchestra, Standing Wave, San Francisco Contemporary Music Players, Ear Play, California E.A.R. Unit, Addleds, Kronos Quartet, Bozzini Quartet, Evergreen Club Contemporary Gamelan, New Music Concerts, Array Music, Continuum, Ives Ensemble, Nouvel Ensemble Moderne, SMCQ, ECM, Bellows and Brass, Kim Kashkashia, Ellen Ruth Rose, Aron Kallay, Vicki Ray, Kevin McMillan, Paul Hillier, Dora Ohrenstein, François Houle, Charlotte Hug, Kyle Bruckmann, Jacob Felix Heule and others.
Her works have been recorded on both sides of the Atlantic Ocean: in Canada by the CBC Label (Orchestre Métropolitain), Analekta (SMCQ), Marquis Classics (National Arts Centre Orchestra), and CMC (Standing Wave); in Germany by ECM (Kim Kashkashian and Robyn Schulkowsky); and in the United States by CRI (several artists) and Bang on a Can.
In 1977, Bouchard went to the United States to study composition with Henry Brant. She lived in New York City from 1979 to 1990, where she composed, led new music ensembles, and made orchestral arrangements for The Washington Ballet, Orchestra of St. Luke’s, and various churches in the New York metropolitan area. She was assistant conductor for New York Children’s Free Opera from 1985 to 1988 and guest-conducted Orchestra of St. Luke’s, the American Dance Festival, the New York New Music Ensemble, the Absolute Music Group, and The New Music Consort. In 1991, Bouchard returned to Montreal in time for the world premiere of her composition “Elan” with the Orchestre Métropolitain during the New Music America Festival. She was composer-in-residence from 1992 to 1995 with the National Arts Centre Orchestra in Ottawa, Canada, where she composed several orchestral works and curated new music events. In 1997, she moved to San Francisco, where she currently resides with her husband and her son.
In 2001, Bouchard was invited to participate at IRCAM’s “Stage d’Informatique Musicale” in Paris. Since then, she has been increasingly interested in how our traditional artistic practices are influenced by the integration of new technologies. In 2005, Bouchard founded New Experimental Music, Art and Production (NEXMAP), a nonprofit arts organization that explores this evolving artistic landscape. She acted as artistic director until January 2016.
In 2014, Linda wrote a score for Detour Inc., a San Francisco–based startup that creates unique and innovative documentary tours all over the world. Her score is used for architecture tours in San Francisco, Berlin and London. During the fall 2015, she was invited as a Master Instructor for their Banff Center for the Arts music program. Linda was a Visiting Professor at UC Berkeley during the Spring 2016.
For the past ten years Linda has been creating multimedia work while continuing to compose music for the concert hall. Her works Murderous Little World, All Caps No Space and Identity Theft have been performed in North America to critical acclaim.
In 2017, she received the Davidson Award from the Victoria Symphony Orchestra in Canada. She also received a multiyear grant from the Canada Council for the Arts for her project titled “Live Structures”, which she developed in partnership with Matralab at Concordia University in Montreal. Bouchard was invited to lecture on her research at the Melbourne Tenor Conference in July 2019. She has been invited to give a lecture at the German Society for Music Theory conference from October 4-6, 2019 at the Zurich University for the Arts. You can read her published paper on the Tenor website here.
You can follow the details of her research at www.livestructures.com.