Événements

27 novembre 2022
Événement
Triocular +
La Salle Bleue, Edifice Wilder
Montréal, QC
Bande-Annonce

 

August 15, 2022 to December 15, 2022
Résidence
Résidence à Center for New Music and Audio Technologies (CNMAT) de l’université UC Berkeley
Berkeley, Californie
Plus d’infos

 

June 1st, 2022
Événement
Brasier
Société de musique Contemporaine du Québec
Montréal, QC
Plus d’infos

 

Du 28 juin au 10 juillet 2021
Résidence
Académie de Nouvelle Musique
Domaine Forget, Charlevoix, Québec
Compositrice invitée
Événement remis à cause de la pandémie

 
20 mars 2021
Événement en ligne
Penn State New-Music Festival and Symposium
Conférence sur la notation graphique et l’architecture perceptible
 
4,5,6-11,12 février 2021
Événement en ligne
Atelier-forum IRCAM Hors Les Murs Montréal
Conférence sur Live Structures 11 février 2021, 14h15 (HNE)
Horaire ici
 
14 janvier 2021 18:00 (GMT+1)
Visionnement en ligne et discussion sur Zoom
MAO – Art Of Virus
Sur Facebook
 

7 août 2020
Événement en ligne
Facebook Event
Phonic Chat
https://phonicchat.com/aov
Première mondiale de la pièce Art of the Virus
https://phonicchat.com/aov/1.1.1.1.1.1.1.1.1.2

 

20 juin 2020
Événement en ligne
Transcultural Exchange (Échange transculturel)
œuvre en vedette: Gathering

 

11 mai 2020, 20h
Performance
Vancouver, BC
Avec Standing Waves.
Première mondiale de Shiver pour quatuor à cordes.
Événement remis à cause de la pandémie

 

25 avril 2020
Performance
ISCM World New Music Days
Oakland, Nouvelle-Zélande
Performance de la pièce Flocking, pour orchestre.
Événement remis à cause de la pandémie

 

24 avril 2020
Conférence
ISCM World New Music Days
Oakland, Nouvelle-Zélande
Conférence sur Ocular Scores™ et Perceptible Musical Architecture.
Événement remis à cause de la pandémie

 

2-3-4-5 avril 2020
Conférence
Forum IRCAM Hors Les Murs
Montréal, Québec, Canada
Conférence sur Ocular Scores™ et Perceptible Musical Architecture.
Événement remis à cause de la pandémie

 

25 février 2020, 19h30
Performance
University of the Pacific, Stockton
Lives Structures avec Kyle Bruckmann et Jacob Felix Heule
The Cube, librairie William Knox Holt, à la University of the Pacific, Stockton, Californie

 

October 26, 2019 8 PM
Performance
Engineered Air Theatre, Art Commons, Calgary, Canada
New Music Calgary
Grdina-Houle-Loewen Collective
All Caps No Space (revised 2019)
Musical score created with Ocular Scores™

 

October 24, 2019 8 PM
Performance
Array Music Space, Toronto
Grdina-Houle-Loewen Collective
All Caps No Space (revised 2019)
Musical score created with Ocular Scores™

 

October 21, 2019 8 PM
Performance
The Open Space, Victoria, BC
Grdina-Houle-Loewen Collective
All Caps No Space (revised 2019)
Musical score created with Ocular Scores™

 

October 21, 2019 10 AM
Presentation
University of Victoria, BC
Lecture on Live Structures

 

October 17, 2019 8 PM
Performance
The Annex, Vancouver, BC
Vancouver New Music Festival
Grdina-Houle-Loewen Collective
All Caps No Space (revised 2019)
Musical score created with Ocular Scores™

 

October 4th, 2019
Presentation
Zurich University for the Arts, Austria
Notation Technologies– German Society for Music Theory Conference
Lecture on Live Structures and Ocular Scores™

 

July 25th, 2019 5:30-7:30
Performance
Monash University, Melbourne, Australia
TENOR 2019
Ensemble Decibel
Murmuration/Murmure
Using Ocular Scores™ V3 x2 x2

 

July 23, 2019 2:30 PM
Presentation
Monash University, Melbourne, Australia
TENOR 2019
Lecture on Live Structures and Ocular Scores™

 

April 10, 2019 8:00PM
Presentation and Performance Live Structures
CENTER FOR NEW MUSIC AND AUDIO TECHNOLOGIES CNMAT
Berkeley, California
Murmuration/Murmure
With Kyle Bruckmann (Oboe/English horn) and Jacob Felix Heule (percussion)

 

April 4, 2019. Noon
Presentation
Orchestration as Design and Live Structures
University of the Pacific
Stockton, California

 

March 19, 2019 9:30 AM
Presentation
UC Berkeley, CNMAT
Lecture demonstration on Ocular Scores

 

Saturday, March 2, 2019. Midnight
Performance
Murmuration/Murmure
Festival Montréal/New Music/ 9th edition (2019)
La Grande Nuit – Nuit Blanche
Agora Hydro-Québec – Cœur des sciences – UQAM
With Lori Freedman, Alexandre St-Onges and Joseph Browne.
Ocular Scores™ interprets data from the analysis of complex sounds, rendering the information as real-time imagery and visual musical notation, or codes, which is captured and remixed. Murmuration/Murmure unfolds as a collaborative improvisation and committed interpretation of a musical code.

 

February 27th, 2019 1:30PM
Presentation /Symposium
Compositeurs : une espère en voie de disparition?
Festival Montreal/New Music/ 9th edition (2019)
Agora Hydro-Québec – Cœur des sciences – UQAM
Coproduction matralab, MNM, CIRMMT, SQRM, GRMS, Hexagram-UQAM.
Presentation of Ocular Scores™ and discussion of the tension between improvisation and interpreting graphical scores.
With Lori Freedman and Joseph Browne.

 

February 8th, 2019
Performance
Kyle Brenders and Linda Bouchard
DROP for solo improviser and electronics
Utilizing Ocular Scores™
Banff Center for the Arts and Creativity, Alberta

 

Feb 4-8, 2019
Mentorship, conference and performance.
Faculty
Banff Musicians in Residence Winter 2019
Banff Center for Arts and Creativity, Alberta

 

January 15 to February 1st, 2019
Residency Live Structures Matralab, Concordia University
Research and development for Ocular Scores in collaboration with Joseph Browne, Lori Freedman and Alexandre St-Onges. Project: Murmuration/Murmur Live Structure #3 for two improvisers and visual scores.
More documentation will be uploaded soon onto the Live Structures website.

 

October 17-November 14, 2018
Residency
Djerassi Resident Artist Program. California
Independent work.

 

Monday, Jan 14, 2019
Performance
Thomas Feng performs Gassho (2011)
Manhattan School of Music, NYC
Transcending Tradition: Experimental Music at MSM

 

Podcast Interview
with Paul Steenhusen
The SOUNDLAB

 

October 21th, 2018
Performance
Exquisite Fires for Orchestra
Prince Edward Island Symphony Orchestra
Conductor: Mark Shapiro
Review

 

October 16th, 2018 – 7PM
Live Structures Presentation and performance
The Nature of Music, Other Minds
With Kyle Bruckmann.
The David Brower Center, Berkeley

 

October 6, 2018 – 8PM
Murderous Little World
with Guy Few, Eric Vaillancourt and Joseph Petric
Direction Keith Turnbull
New Music Concerts
Betty Oliphant Theatre, Toronto, Ontario

 

October 1st, 2018 – 5PM
Live Structures Presentation and performance
With Lori Freedman and Joseph Browne
Matralab, Concordia University
Montréal

 

June 18, 2018 – 6:30PM
Flocking for Orchestra
Orchestre de la Francophonie
Simon Rivard, conductor
Société des Arts Technologiques
Montréal

 

May 17–20, 2018
Lecture and Roundtable
L. Bouchard
Forum 2018
Entr’arts / Between the Arts
CNMN
Victoriaville / Montreal Quebec

 

April 20, 2018 5:00 PM
Performance/Presentation
Live Structures with François Houle
Banff Music Center

 

April 8 – April 21, 2018
Residency
Live Structures
Independent work
Canada Council for the Arts Grant
Banff Music Center

 

April 7, 2018 8:00 PM
World Premiere
Flocking for Orchestra
Hugh Davidson Award
Bill Linwood, Conductor
Victoria Symphony Orchestra

 

April 4, 2018 1:30 PM
Lecture
Live Structures
L. Bouchard
Composition
Class – Christopher Butterfield
University of Victoria

 

March 21, 2018 8:00 PM
World Premiere
Orchid for piano MIDI
Aron Kallay, pianist
Beyond 12 Series
Santa Monica Public
Library, California

 

March 6, 2018 3:15-5:15 PM
Lecture
Orchestration as Design
L. Bouchard
Composition Class – Sandeep Bhagwati
Concordia University
Montreal, Quebec

 

Saturday, October 28, 2017, 8:00 pm
The Open Space, Victoria, BC, Canada
The Line: choreographed by Lori Hamar with music and live video by Linda Bouchard
With the generous Funding from the SOCAN Foundation.

 

Friday, September 29th, 2017 7:30 pm
Golden Bough Theatre, Carmel CA
The Philip Glass Center
Molissa Fenley Dance Company
Choreography on Pourtinade with Frank Cassara, percussion and David Harding, viola.

 

July 06, July 08, 2017 8PM
Joe Goode Annex, San Francisco
SAFEHouse Arts Summer Performance Festival SPF10
Identity Theft Dance Theatre Performance
with Aisan Hoss, Kyle Bruckmann, David Coll and James Fusco.

 

March 20th, 2017
ODC Theatre, San Francisco
“Survival Revised” 2009-2016
Chamber ensemble
with Earplay

 

Feb 25th, 2017 8 p.m.
David Brower Center in Berkeley
Feb 26th, 2017 3 p.m.
Bayview Opera House, San Francisco

The House of Words, Scene 3
Chamber Opera
West Edge Opera

 

August 20, 2016
Milk Bar, Richmond
Identity Theft
With Aisan Hoss, David Coll and Kyle Bruckmann

 

August 17-18th, 2016
Safe House Arts, San Francisco, CA
Identity Theft Premiere
With Aisan Hoss, David Coll and Kyle Bruckmann

 

May 19th, 2016
Evergreen Gamelan Orchestra
Lend Me Wings, World premiere
Toronto, Ontario, Canada

 

April 9th, 2016
Ridge Space, Oakland, CA
Premiere of Borderless
with Ann Schnake performance artist
Electronic interactive score

 

Feb 28th, 2016
Center for New Music, San Francisco, CA
Quasar performs “Phare Far”
for saxophone quartet with live electronics

 

Feb 26th, 2016
UC Chico, CA New Music Festival
Quasar performs “Phare Far”
for saxophone quartet with live electronics

 

May 18-25, 2015
Matralab
Concordia University, 1515 ste Catherine st Ouest, Montreal, Quebec.
All Caps No Space
The goal of this one-week residency it to start integrating some of the visual aspects developed during the work at the Djerassi Residency Workshop in March and to revisit the graphic scores developed with Addleds with Montreal local musicians.

 

May 15, 2015
International Festival Musique Actuelle
Victoriaville, Quebec
Murderous Little World
Multimedia version of Murderous Little World

 

May 08, 2015
Coproduced by Array Music and MLW (link to Murderous Little World page)
155 Walnut Avenue, Toronto, Ontario
Murderous Little World – Concert Version
The concert version of Murderous Little World takes on a different character from the multi-media version. It is more intimate and we get closer to the words of Anne Carson and closer to the spectacular musicians: Bellows and Brass made of Guy Few , Eric Vaillancourt and Michael Bridge , (Joseph Petric is on a leave of absence this spring). We premiered the concert version at the Cellars in Vancouver with Music on Main in 2012. We can’t wait to repeat the experience.

 

April 19, 2015
All Caps No Space
Canadian Music Centre, British Columbia Region, 837 Davie Street, Vancouver, BC
Chamber Music with live electronics.

François Houle, clarinet; Rebecca Wenham, cello, Katie Rife, percussion.

 

April 18, 2015
Vancouver New Music
Orpheum Annex, Vancouver, BC
Réfraction for string orchestra *world premiere

 

March 12-16, 2015
Djerassi Resident Artists Program
2325 Bear Gulch road, Woodside, CA 94062
The Extended Now with Ian Winters
A five day workshop to develop the environment for the visuals in All Caps No Space.
The Extended Now explores the compositional tools for integrating live media/video/sound in performance and installation with Ian Winters

 

Feb 07, 2015
NEXMAP
Center for New Music
All Caps No Space
This performance will showcase the culmination of a two-week collaboration and residency at The MilkBar with Addleds and premiere the concert version of “All Caps No Space”. For this performance, Addleds will play as a trio, their koto player, Kanoko Nishi is currently on maternity leave . They are known for their exploration of timbral and textural extremes of distended instrumental technique via improvisation and open-ended compositional strategies.

 

February 1st, 2015
Vassar College
124 Raymond Avenue, Poughkeepsie, NY 12604
Pourtinade for viola and percussion (link to Pourtinade )
Performed by Frank Cassara and Ralph
Farris of the Ethel Quartet

 

January 19th, 2015
Ear Play
ODC Theatre, San Francisco
Bref
World premiere of “Bref” for alto flute and viola

 

January 2-16, 2015
Milk Bar
Milk Bar, Oakland
All Caps No Space
A two-week collaboration and residency at The MilkBar among the talented and unique Addleds musicians Kyle Bruckmann, oboe/English horn; Tony Dryer, double bass; and Jacob Felix Heule, percussion and composer Linda Bouchard.