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Ray presided over a gamey piano program that also involved “tape” and video elements and extended techniques and instrument manipulations. Linda Bouchard’s “Gassho,” for instance, combined its piano part with a prerecorded haze of Tibetan Bowl tones, in a piece balancing furtive dissonant bursts and gentle tonal breezes that befitted the composer’s claims of channeling Zen and Schubert.
Par Josef Woodard
Oeuvre connexe : Gassho